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Something creepy this way comes — and its name is digital narration.

Having invaded practically every other sphere of our lives, artificial intelligence (AI) has come for literary listeners. You can now listen to audiobooks voiced by computer-generated versions of professional narrators’ voices. You’re right to feel repulsed.

“Mary,” for instance, a voice created by the engineers at Google, is a generic female; there’s also “Archie,” who sounds British, and “Santiago,” who speaks Spanish, and 40-plus other personas who want to read to you. Apple Books uses the voices of five anonymous professional narrators in what will no doubt be a growing stable: “Madison,” “Jackson,” and “Warren,” covering fiction in various genres, and “Helena” and “Mitchell,” taking on nonfiction and self-development.

I have listened to thousands of hours of audiobooks (it’s my job), so perhaps it’s not a surprise that I sense the wrongness of AI voices. Capturing and conveying the meaning and sound of a book is a particular skill that requires talent and soul. I can’t imagine “Archie,” for instance, understanding, much less expressing, the depth of character of David Copperfield. But here we are at a strange crossroads in the audiobooks world: Major publishers are investing heavily in celebrity narrators — Meryl Streep reading Ann Patchett’s “Tom Lake,” Claire Danes reading “The Handmaid’s Tale,” a whole cast of Hollywood actors (Ben Stiller, Julianne Moore, Don Cheadle and more) on “Lincoln in the Bardo,” to name a few. Will we reach a point where we must choose between Meryl Streep and a bot?

The main issue is, naturally, money. Using disembodied entities saves time and spares audiobook producers the problems of dealing with human beings — chief among them is their desire to be paid. This may explain why so many self-published books are narrated by “Madison” and her squad of readers…

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